![]() Higgins additionally smoked cigarettes before quitting in his last year of high school because of health issues. He began drinking lean in sixth grade and using Percocet and Xanax in 2013. Higgins was a heavy drug user during his childhood and teens. He was allowed to listen to rock and pop music, however, being introduced to artists including Billy Idol, Blink-182, Black Sabbath, Fall Out Boy, Megadeth and Panic! at the Disco through video games such as Tony Hawk's Pro Skater and Guitar Hero. Higgins' mother was very religious and conservative, and did not let him listen to hip hop. His parents divorced when he was three years old, and his father left, leaving his mother to raise him and an older brother as a single parent. He then later moved to Homewood, where he attended Homewood-Flossmoor High School and graduated in 2017. ![]() He grew up in the South Suburbs spending his childhood in Calumet Park. Jarad Anthony Higgins was born on December 2, 1998, in Chicago, Illinois. His second posthumous album, Fighting Demons, was released in 2021 alongside the documentary film Juice Wrld: Into the Abyss, and contained the US top 20 single " Already Dead". top-ten entries from one album, while the single " Come & Go" (with Marshmello) became Higgins' second song to reach number two on the Hot 100. His first posthumous album, Legends Never Die (2020), matched chart records for most successful posthumous debut and for most U.S. Higgins died following a drug overdose on December 8, 2019. He then collaborated with Future on the mixtape Wrld on Drugs (2018), and released his second album, Death Race for Love, in 2019 it contained the hit single " Robbery" and became Higgins' first number one debut on the US Billboard 200. ![]() It was included on his triple platinum debut album Goodbye & Good Riddance (2018), alongside the singles " All Girls Are the Same", " Lean wit Me", " Wasted", and " Armed and Dangerous", all of which charted on the Hot 100. He gained recognition with the diamond-certified single " Lucid Dreams", which peaked at number two on the US Billboard Hot 100. ![]() Higgins began his career as an independent artist in 2015 and signed a recording contract with Grade A Productions and Interscope Records in 2017. His stage name, which he stated represents "taking over the world", was derived from the crime thriller film Juice (1992). He was a leading figure in the emo rap and SoundCloud rap genres which garnered mainstream attention during the mid-late 2010s. Six years later, that fail footage is no less painful to watch, although in a certain light Juiceboxxx’s performance is also strangely inspiring.Jarad Anthony Higgins (Decem– December 8, 2019), known professionally as Juice Wrld (pronounced "juice world" stylized as Juice WRLD), was an American rapper, singer and songwriter. After offering the anchors a complimentary can of Thunder Zone, the energy drink he was hocking at the time, he doesn’t just bomb. He bombs with gusto, committing fully to his affable party-starter routine even as he wrestles with a sadistic sound mix and the sinking realization that an act that slays in a basement full of sweaty fans doesn’t translate to an empty stage of a news broadcast. That down-with-the-ship attitude has defined everything he’s recorded since-if public humiliation on that scale doesn’t shake your dedication, then maybe nothing can. These days Juiceboxxx no longer tours the country on a Greyhound with an iPod as his DJ, though. He’s traded it for a two-piece backing band, which conjured the guitar-drenched rap early Beastie Boys on his 2017 effort Freaked Out American Loser. ![]() His new It’s Easy To Feel Like a Nobody When You’re Living in The City goes one step further, ditching hip-hop almost entirely but keeping the guitars. Recorded with Wavves/ Jay Reatard bassist Stephen Pope, it’s a brisk power-pop record about loving what you do but hating the toll it takes. “Have I wasted all my life in the basement?” Juiceboxxx wonders on the lifer’s lament “In The Basement,” a typically revved-up number featuring some unmistakable synths from The Rentals’ Matt Sharp. It’s Juiceboxxx’s catchiest song yet, though the album gives it some competition. ![]()
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